The Source Corpus · Catalogue and Atlas

Heaven on Earth

As Above, So Below — A Cultural-Cartographic Corpus

For most of human history people have looked at the sky and found stories in it. Heaven on Earth turns that habit around: it looks down at the planet, through satellite imagery, and finds the same stories written into coastlines, mountain ranges, ice fields and the floor of the sea.

This first edition catalogues the whole body of work by Bradly Couch — every cycle, every figure and the method behind them — in 75 illustrated pages.

First edition, 2026 · 75 pages · PDF, about 24 MB

Cover of Heaven on Earth: As Above, So Below — Catalogue and Atlas, with a world map of the corpus

8,213

placemarks

149,410

traced vertices

216

works

9

cycles

The Whole Corpus

1One continuous body of drawing

Over several years, figures from the world’s mythologies have been traced directly onto the surface of the Earth, one shape at a time, with each line recorded as a geographic coordinate. The map below shows every placemark in the corpus at once.

World map showing all 8,213 placemarks of the Heaven on Earth corpus

Nine Cycles

2The corpus, cycle by cycle

Map of cycle 1, Korean, Aztec and Chinese

Cycle 1

Korean, Aztec and Chinese

The Dangun founding story with Ungnyeo the bear-woman, Long the Chinese dragon, the white heron, the Aztec eagle and a winged Nike.

10 works · 406 placemarks · 6,783 vertices

Map of cycle 2, Constellations

Cycle 2

Constellations

The planet read as a second sky: Pavo, Draco, Scorpius, Corona Borealis, Capricornus, Sagittarius and more.

65 works · 2,558 placemarks · 41,525 vertices

Map of cycle 3, Hindu

Cycle 3

Hindu

Concentrated around Lake Urmia and the Iranian plateau: Saraswati, Brahma, the ten avatars, Nataraja, the Churning of the Ocean and Gajendra.

56 works · 2,265 placemarks · 43,863 vertices

Map of cycle 4, Greek

Cycle 4

Greek

Figures of the Greek pantheon, among them the Birth of Athena.

19 works · 660 placemarks · 12,853 vertices

Map of cycle 5, Perseus

Cycle 5

Perseus

The Perseus story told as one connected sequence across the land.

17 works · 1,061 placemarks · 16,099 vertices

Map of cycle 6, Biblical

Cycle 6

Biblical

Scenes and figures including Moses, Michael, the Cherubim, the Judgement and the Pietà.

33 works · 652 placemarks · 13,175 vertices

Map of cycle 7, Jonah

Cycle 7

Jonah

Drawn from Michelangelo’s Jonah.

4 works · 187 placemarks · 6,324 vertices

Map of cycle 8, Son of Man

Cycle 8

Son of Man

Drawn from a single Gospel saying: the birds of the air and the foxes of the field.

2 works · 191 placemarks · 4,047 vertices

Map of cycle 9, Egyptian

Cycle 9

Egyptian

Apis, Wadjet, Nekhbet and other figures of the Egyptian tradition.

10 works · 233 placemarks · 4,741 vertices

From the Plates

3A look inside the catalogue

Catalogue plate: Saraswati, traced on satellite imagery
Saraswati
Catalogue plate: Nataraja, traced on satellite imagery
Nataraja
Catalogue plate: The Birth of Athena, traced on satellite imagery
The Birth of Athena
Catalogue plate: Perseus, traced on satellite imagery
Perseus
Catalogue plate: Jonah, traced on satellite imagery
Jonah
Catalogue plate: Apis, traced on satellite imagery
Apis
Catalogue plate: Dangun, traced on satellite imagery
Dangun
Catalogue plate: Ophiuchus, traced on satellite imagery
Ophiuchus

How to Cite

4Citing the corpus

The catalogue

Couch, B. (2026). Heaven on Earth: As Above, So Below. A Cultural-Cartographic Corpus: Catalogue and Atlas. Atlanta, GA: A2A World LLC.

The artistic research

Couch, B. (2024). Heaven on Earth: As Above, So Below. Research Catalogue. https://doi.org/10.22501/rc.3032777

The Living Map

5Explore the corpus on the globe

The catalogue is a fixed edition. The Storybook is the working map, where the figures can be explored at any scale as the corpus continues to grow.

© A2A World LLC 2026 · An interpretive work of art and a work in progress

Open the Storybook full screen →

Field Guides

6From the corpus to the stories

The fourteen mythology field guides tell the stories behind the figures: who they are, what happens, and what to look for in the land.

The corpus is a work of art and a practice of perception. It is not a historical or scientific claim.

Each figure is the product of a particular observer, at a particular time, choosing to see. Every tradition holds equal standing.

© A2A World LLC 2026